Goldicot Culls The Week - III

by Goldicot on Sat, Jan 25, 2025

Triplet feel

The honeymoon is over. January regresses from green to the mean. Yet the year remains strong, with almost half (12 of 28) of my above-average rates arriving in this week (albeit one of those will feature in Culls IV.) Aside from an unusual amount of thrash metal, from Sarcator, Axetasy, Hazzerd, and Cyanide Grenade, there was really no mainstream movement to speak of, yet nonetheless pleasant surprises abound the next strata down, with worthwhile contenders from Hammerheart, Personal, Sentient Ruin, Lifeless Chasm, and Scarlet, in the forms of Hesperia, Onirophagus, Necrotech, Synaptic, and Dragonknight respectively.

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Goldicot Culls The Week - II

by Goldicot on Fri, Jan 17, 2025

Double time

Round two, another 140 in the bag, a running total of 300, and a lot to talk about. For the mainstream, this was even worse than last week. Only Nuclear Blast even tried, with The Halo Effect blanched to the utmost bland, and Napalm, with Tremonti, which I didn’t listen to (yet) because I’m not divorced. (Yet.) Thankfully, everybody else fired on all cylinders, with a crazy strong week for any part of the year, much more for January.

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Goldicot Culls The Week

by Goldicot on Thu, Jan 9, 2025

Goldicot listen to a 100 albums a week and decide for you which ones are the best... perhaps.

As far as first weeks go, not bad! January, often maligned as the year’s superfluous opening ambient track, serves as the enthusiasts’ reprieve – a time where it is actually possible to stay comfortably on the release treadmill. I went a little above and beyond – a smooth 160 releases – and found the cream of this rather plentiful crop. First, a recap. Technically, the biggest event was the return of false Batushka, now in the guise of Patriarkh, having failed to acquire the mandate of heaven.

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meri's listianity - The top 10 albums from 2024

by meri on Sat, Jan 4, 2025

meri says ''less quantity, more quality'', I will let you be the judge

As it is now time to officially begin on 2025, it seems a perfect time to close out the books on 2024 and reflect on the year that was. I took a different approach this year, which was to focus more on quality than quantity. To achieve this, I primarily explored music in the top of the sheet and prioritised relistens more than ever before. The result: my average ended up being the highest it has in years - 5.

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